So I was looking through my archives to drum up more stock images for photoshelter and came upon some of the shots I'd scanned from when I was in Whittier shooting my large format camera and a polaroid with 665 film. This shot reminded me what I missed about the area around my parent's house.
links
- a photo editor
- alec soth in all his splendor
- amy stein blog is nice for looking at animals and stranded people by the road
- caleb condit photography is getting a new board of directors
- charles shotwell photographer
- conscientious has music fridays...TGIF
- ffffound.com makes me lose hours of my day
- humble arts foundation
- iheartphotograph blog
- Juco photo
- magnum agency has a cool blog because alec soth is BACK!
- Martin Denker
- photoshop disasters cracks me up
- scott polach takes cool pictures in zoos
- stephanie mcniel is fun when she wears fur
- subjectify is now on my radar
- sye williams photographer
- sze tsung leong photographer
- too much chocolate
- we can shoot too Blog
- young photographers united
About Me
Tuesday, October 30, 2007
lusting over ham
It's been a bit since I felt like shooting anything in the streets of madrid that wasn't a bit controlled. I guess I just don't try and be a "street photographer". But every once in a while I go out with my camera and find something worth shooting that's all in the moment.
This is one of those moments. I see this all the time. People window shopping food. I mean if you walked by some place and saw like 30 cured hams, 70 sausages, and wheels upon wheels of cheese (give that you're not vegan) and it's lunch time you might be doing the same thing. Me, I was just loving the light and this woman just happened to be in the right place in the right time. This is one reason I also love my pentax screw mount lens. Small and inconspicuous, light and great bokeh (or background blur for you non photo nerds).
This is one of those moments. I see this all the time. People window shopping food. I mean if you walked by some place and saw like 30 cured hams, 70 sausages, and wheels upon wheels of cheese (give that you're not vegan) and it's lunch time you might be doing the same thing. Me, I was just loving the light and this woman just happened to be in the right place in the right time. This is one reason I also love my pentax screw mount lens. Small and inconspicuous, light and great bokeh (or background blur for you non photo nerds).
Monday, October 29, 2007
detail shots at home
So I was at home, hanging out with a couple of friends and mad posting here on friday. Afterwords I was really intent on creating some interesting detail shots of the people that were there. I limited my self to f16 and tons of on camera flash to get lots of detail and a terry richardson look (more or less, I mean he's really amazing, can't flatter myself too much). So here they are.
Friday, October 26, 2007
print exchange
Sye williams
I'm really into this guy's work lately. He's trying to stay authentic, to explore. Here is his site. Definitely check out the video link on the front page. Its not the typical "look how cool my studio is and how hot this model is" video but rather about him and his documentary work. Real, honest. Love it.
tierra sagrada
m42 to eos adapters
So I love my canon L lenses. They're great, they're sharp and have pretty decent autofocus. But sometimes I miss just manual everything lenses and the tonalities I used to get on film with my old Pentax spotmatic camera. In comes cheap Chinese manufacturing to the rescue. For about 12 euros on ebay I picked up an adaptor and went on a search for the right lens. When I shot all manual cameras, I used a 50mm lens 99% of the time. When I was visiting Amsterdam in August, I went through the street market in search of a lens for my adaptor. The smc takumar 55mm 1.8 is pretty amazing. Sharp, a touch of warmth in the colors, and fantastic contrast. Here is a list of lenses compatible with a 5d, and here is a forum section dedicated to the concept.
The main issues to remember when adapting lenses to Canon Eos cameras are;
1. You're metering might not be perfect, so check your histogram, especially when stopping the lens down (ie f5.6 - 22 gives me darker shots at times) as there is no electronic communication to the camera about the lens settings.
2. Some wide angle lenses will not work with full frame Canon cameras as the mirror hits the back of the lens. Aps-c sensors such as on an xti, 40/30/20d etc will have more options but are harder to manually focus due to darker viewfinders.
3. You'll have to work a bit slower due to focusing manually and also focussing with the lens wide open and then stopping down to the desired aperture.
Ok, so I'm going to stop geeking out on gear and find something else to bore you with...
The main issues to remember when adapting lenses to Canon Eos cameras are;
1. You're metering might not be perfect, so check your histogram, especially when stopping the lens down (ie f5.6 - 22 gives me darker shots at times) as there is no electronic communication to the camera about the lens settings.
2. Some wide angle lenses will not work with full frame Canon cameras as the mirror hits the back of the lens. Aps-c sensors such as on an xti, 40/30/20d etc will have more options but are harder to manually focus due to darker viewfinders.
3. You'll have to work a bit slower due to focusing manually and also focussing with the lens wide open and then stopping down to the desired aperture.
Ok, so I'm going to stop geeking out on gear and find something else to bore you with...
photoshelter collection
Photoshelter is starting a new stock collection. If you get images up and going before November 5, they give you a whopping 85% of all sales. The great things about the upcoming collection (coming from a collaborator's point of view) is that they are want to push the envelope and provide high quality non-traditional stock, allow photographers to price their own photos (nothing below $50), and everything is done via web as far as submissions go. In this day and age, sending a disk to a stock agency vs. just sending shots to the server via internet is wasteful in regards to time and plastic. Working out of Spain and sending shots to another country via fedex/ups/dhl is just one more business expense as well. In an increasingly competitive market, every penny counts.
Self Portraits
So I had an interesting conversation via email with a young photographer that just from where I also went to highschool, in Springville, Iowa. When I went to school there we had 10 cameras and a full black and white darkroom at our fingertips. I was lucky enough to be able to start shooting at a young age of 12 because of the great facilities.
Anyhow, her assignment was simple, an 8x10 print in an acetate sleeve of a self portrait. She sent me some examples and I gave my critique, some advice. Below I'll rehash my ideas the ol' blog.
In going in depth about what I thought made a good self portrait turned into what inspires me and what makes up interesting photography in general. For me it comes down to the fact that photography is a form of visual communication. I had a great friend, scott polach give me the advice to always try and tell a story. "Who doesn't love a story?", he said. That has stuck with me since then and been a great help when I'm stuck when editing my book or thinking about a new project. It's not that an 8 image narrative sequence is necessary and it can be much harder at times to say all you want to say in one image.
I then went to show her some of my images that I've done about exploring the summer house I stay in with my wife's family in Loja, Spain.
"capturing the light 1"
"exploring : bathroom"
In the end, when discussing self portraits and portraits in general, honest communication and good technical finishing really makes it for me.
Anyhow, her assignment was simple, an 8x10 print in an acetate sleeve of a self portrait. She sent me some examples and I gave my critique, some advice. Below I'll rehash my ideas the ol' blog.
In going in depth about what I thought made a good self portrait turned into what inspires me and what makes up interesting photography in general. For me it comes down to the fact that photography is a form of visual communication. I had a great friend, scott polach give me the advice to always try and tell a story. "Who doesn't love a story?", he said. That has stuck with me since then and been a great help when I'm stuck when editing my book or thinking about a new project. It's not that an 8 image narrative sequence is necessary and it can be much harder at times to say all you want to say in one image.
I then went to show her some of my images that I've done about exploring the summer house I stay in with my wife's family in Loja, Spain.
"capturing the light 1"
"exploring : bathroom"
In the end, when discussing self portraits and portraits in general, honest communication and good technical finishing really makes it for me.
Brand Spankin new blog
So, I'm finally starting a blog. Well it's actually my 3rd blog but I'm doing it right this time around, I promise. I figure that I'll try and keep all those updated that are interested in what I do as a photographer. I've learned so much from others and want to give back.
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